Blimey, I forgot how tiring full-time work is! After 3 years at university, I am unused to having to be awake, alert and upright for long periods at a time. I even wrote most of my essays in a semi-horizontal position on my bed - I hate sitting at desks. But I now have a job in a haberdashery and sewing machine shop, so I am on my feet all day and seem to be spending my evenings curled up on the sofa in my dressing gown (we are being stingy and avoiding putting the heating on) with dreadful TV or the Dickens that I'm wading through ever so slowly.
My other big(ish) news aside from the job is that I've finally decided to start selling some of my drawings on Etsy, to compensate for the sluggish evenings. There are only a few on there right now, but I will be adding to them as and when I can (I can only photograph them on my days off, as the light is too bad in the evenings). I find them to be really soothing to draw, and satisfying as they don't take too long before they start coming together and getting to a stage where I'm pleased with them. I'm selling them unframed to begin with, but I think I will look into framing them when I get a chance.
Here's a selection of works that can be found at www.etsy.com/shop/junglenoises.
Song of the day: 'Neighborhood 2 (Laïka)' - Arcade Fire
Friday, October 11, 2013
Wednesday, September 18, 2013
Baking and drawing to keep the cold at bay
There is no doubt that winter is coming. Although today isn't too cold, the last few days have featured a bitter wind which was quite a shock when I ventured out on Monday morning. I was actually a little annoyed, as I always like an excuse to wear a coat, but not realising how much the temperature had dropped, I was forced to shiver in my definitely-at-its-best-in-warmer-weather trench coat. Still, I won't be caught out again: soon I'll be living in coats 24/7, which is a rather exciting prospect. Despite seeming to feel the cold more than the average person, I think I am at heart a winter baby. Give me an open fire, something hot in the oven and a project to keep my hands occupied, and I'm happy.
Sadly the open fire will have to wait a few years: our flat boasts two fireplaces, but neither of them is functioning and our landlord has expressly told us not to attempt to light a fire in either of them.
As to hot things in ovens, my latest attempt to get better at baking was this banana and chocolate loaf.
It's a Nigel Slater recipe (available here - I followed it pretty much to the letter, except I omitted the hazelnuts as I didn't have any) and not only did it take care of the past their best bananas in the fruit bowl, it was always pretty good, and just what I wanted at the time. I like cakes with fruit in as it keeps them moist and they seem to last a bit longer than a usual sponge. The chocolate was a good addition too, I used half a bar of dark chocolate and cut it up into little chunks. Best of all though, I made two and the other one is sitting in the freezer ready for another day when I fancy a slice of cake with my tea (not sure how well cake freezes, but I'm sure it'll be fine, right?)
And for a project, I've done a few more drawings recently, trying to add to my creatures wall which is growing on the chimney breast opposite my bed. I don't know what it is exactly, but I find these simple black biro drawings so satisfying both to draw and to look at. Here's the latest addition:
Song of the day: 'Loose Ends' - Imogen Heap
Thursday, September 12, 2013
Where has the summer gone?
Soaking ranunculus tubers before planting. They are just starting to sprout and if they make it through the winter I'll have beautiful dark purple-puce blooms. |
Feeling nostalgic and making pimped up cornflake cakes - the cashews and chewy raspberry sweets were tasty and suitably childish additions! |
Song of the day: 'The Conference' - Nitin Sawhney
Friday, September 6, 2013
An evening of poetry
Just wanted to share this photo first - I took it at Glastonbury Festival this year. The tightrope was stretched across one of the smaller fields, so he was walking, pretty casually, over a field of people, barely even stopping or adjusting his balance.
Last night, I went to a poetry reading by Poet Laureate Carol Ann Duffy, and another poet that I had heard of but not read anything by, Ann Gray. It was at the Phoenix in Exeter which is a really good venue and seems to have something going on almost every night (it also hosts the Make, Do and Mend group that I went to earlier this week).
I wasn't very keen on Ann Gray's poetry, and she had a particular way of reading that made every poem sound the same, but I did like a lot of the themes she wrote about. But a lot of her imagery wasn't pushed far enough for me, I felt it was often a little too easy.
Duffy's poetry, on the other, was really good, and despite not exactly having the most musical voice, she read really well (not surprising, as she is constantly touring the country giving readings). What struck me most I think was the way she works rhyme into her poems without it being too obvious, but it (especially when read aloud) really works because it provides the ear with something to hang onto and you find yourself waiting for the next similar sound which drives each poem on perfectly. She mostly read from her 1999 collection 'The World's Wife', where she retells famous stories from the point of view of the hero's wife - she read ones about Mrs. Faustus, Mrs. Midas, Mrs. Darwin, Anne Hathaway and Mrs Tiresias. I particularly liked 'Mrs. Darwin', and it's short so I'll share it here (from here):
Mrs. Darwin
7 April 1852.
Went to the Zoo.
I said to Him -
Something about that Chimpanzee over there reminds me of you.
And although she didn't read this one, it's one that I really like, so I thought I'd share it too (from here):
Warming Her Pearls
for Judith Radstone
Next to my own skin, her pearls. My mistress
bids me wear them, warm them, until evening
when I'll brush her hair. At six, I place them
round her cool, white throat. All day I'll think of her,
resting in the Yellow Room, contemplating silk
or taffeta, which gown tonight? She fans herself
whilst I work willingly, my slow heat entering
each pearl. Slack on my neck, her rope.
She's beautiful. I dream about her
in my attic bed; picture her dancing
with tall men, puzzled by my faint, persistent scent
beneath her French perfume, her milky stones.
I dust her shoulders with a rabbit's foot,
watch the soft blush seep through her skin
like an indolent sigh. In her looking-glass
my red lips part as though I want to speak.
Full moon. Her carriage brings her home. I see
her every movement in my head... Undressing,
taking off her jewels, her slim hand reaching
for the case, slipping naked into bed, the way
she always does... And I lie here awake,
knowing the pearls are cooling even now
in the room where my mistress sleeps. All night
I feel their absence and I burn.
I think one of the reasons I like the second one is because it reminds me of the novel Fingersmith by Sarah Waters. In it, a maid and her mistress have a similar relationship to those in the poem (they go even further in fact, and actually have a lesbian affair). I just think the string of pearls is a lovely fleshy metaphor and of course pearls are valuable and a maid caught wearing a string of them would probably be sacked for stealing. Oh, also, for anyone that likes novels with unexpected twists, I definitely recommend Fingersmith - there is a HUGE surprise about halfway through.
Here are a couple of stills from the TV series that was made of Fingersmith a few years ago. Also worth a watch - Sally Hawkins is a great actress and it's pretty faithful to the book.
Last night, I went to a poetry reading by Poet Laureate Carol Ann Duffy, and another poet that I had heard of but not read anything by, Ann Gray. It was at the Phoenix in Exeter which is a really good venue and seems to have something going on almost every night (it also hosts the Make, Do and Mend group that I went to earlier this week).
I wasn't very keen on Ann Gray's poetry, and she had a particular way of reading that made every poem sound the same, but I did like a lot of the themes she wrote about. But a lot of her imagery wasn't pushed far enough for me, I felt it was often a little too easy.
Duffy's poetry, on the other, was really good, and despite not exactly having the most musical voice, she read really well (not surprising, as she is constantly touring the country giving readings). What struck me most I think was the way she works rhyme into her poems without it being too obvious, but it (especially when read aloud) really works because it provides the ear with something to hang onto and you find yourself waiting for the next similar sound which drives each poem on perfectly. She mostly read from her 1999 collection 'The World's Wife', where she retells famous stories from the point of view of the hero's wife - she read ones about Mrs. Faustus, Mrs. Midas, Mrs. Darwin, Anne Hathaway and Mrs Tiresias. I particularly liked 'Mrs. Darwin', and it's short so I'll share it here (from here):
Mrs. Darwin
7 April 1852.
Went to the Zoo.
I said to Him -
Something about that Chimpanzee over there reminds me of you.
And although she didn't read this one, it's one that I really like, so I thought I'd share it too (from here):
Warming Her Pearls
for Judith Radstone
Next to my own skin, her pearls. My mistress
bids me wear them, warm them, until evening
when I'll brush her hair. At six, I place them
round her cool, white throat. All day I'll think of her,
resting in the Yellow Room, contemplating silk
or taffeta, which gown tonight? She fans herself
whilst I work willingly, my slow heat entering
each pearl. Slack on my neck, her rope.
She's beautiful. I dream about her
in my attic bed; picture her dancing
with tall men, puzzled by my faint, persistent scent
beneath her French perfume, her milky stones.
I dust her shoulders with a rabbit's foot,
watch the soft blush seep through her skin
like an indolent sigh. In her looking-glass
my red lips part as though I want to speak.
Full moon. Her carriage brings her home. I see
her every movement in my head... Undressing,
taking off her jewels, her slim hand reaching
for the case, slipping naked into bed, the way
she always does... And I lie here awake,
knowing the pearls are cooling even now
in the room where my mistress sleeps. All night
I feel their absence and I burn.
I think one of the reasons I like the second one is because it reminds me of the novel Fingersmith by Sarah Waters. In it, a maid and her mistress have a similar relationship to those in the poem (they go even further in fact, and actually have a lesbian affair). I just think the string of pearls is a lovely fleshy metaphor and of course pearls are valuable and a maid caught wearing a string of them would probably be sacked for stealing. Oh, also, for anyone that likes novels with unexpected twists, I definitely recommend Fingersmith - there is a HUGE surprise about halfway through.
Here are a couple of stills from the TV series that was made of Fingersmith a few years ago. Also worth a watch - Sally Hawkins is a great actress and it's pretty faithful to the book.
Images from http://therainbowuniverse.blogspot.co.uk/2011_11_01_archive.html |
Bit of a rambly post, this one. Oh well, we can't all be concise all of the time. Happy Friday everyone!
Song of the day: 'Anthems for a Seventeen-Year-Old Girl' - Broken Social Scene
Monday, September 2, 2013
One chicken, four meals
Last week, in an effort to save a bit of money on our weekly shop, we bought a whole chicken, as it was cheaper than buying four breasts. We also got a lot more meals out of it than we would just buying the breasts and I always think the meat has more flavour when roasted. Sure, chicken gets a little boring meal after meal, but we are on a tight budget at the moment and actually we did pretty well in getting a good variety of dinners out of it.
Here's the roasted bird. I just kept it simple with some butter, a little oil, lots of salt and pepper and a sprinkle of oregano (we're obsessed with oregano at the moment).
On the first night I made fajitas. I have to admit straight away that I never really make fajitas authentically, and usually they include anything I need to use up in the fridge. This time I fried onion and garlic, added the chicken, some paprika, cumin, ground coriander, turmeric and cayenne pepper, then when the spices were cooked, some kidney beans and passata were added to make the bulk of the filling. Then I squeezed some lime and grated the lime zest into a small pot of natural yoghurt as we had no sour cream and topped with diced cucumber and tomato for crunch and lots of fresh coriander. Oh, and cheese, of course, lots of cheese. To go with the wraps themselves, I roasted a sweetcorn for each of us.
The second day, I made a curry. I will admit that we bought a jar of curry sauce, and it really wasn't great, plus it was the odd brown colour you can see above. But it certainly wasn't terrible, and with lots of vegetables, some chopped coriander and a naan bread on the side, I couldn't exactly complain. I just won't buy that jar again.
Day three was stir fry. We buy a pack of stir-fry veg most weeks, as it saves a lot on chopping, which I quite enjoy most of the time, but it's handy to have something in the fridge that's healthy and doesn't take too long, for those nights when we don't feel so much like cooking. Shane actually cooked this meal for me. To the pack of veg he added some shredded chicken, fresh garlic, chilli and coriander and a few cashew nuts and served it with sweet-and-sour sauce and thin egg noodles.
Finally, and this was really using up the last few scraps of chicken, I made a hearty bowl of pasta in a creamy sauce. I sliced up some mushrooms, onions and runner beans that my dad gave me (odd present, granted) and made the sauce with some leftover cream, a few sage leaves from the garden and a lot of Parmesan cheese. I like conchiglie-style pasta with creamy sauces, as the sauce snuggles inside each pasta shell and coats them evenly. Yum!
Saturday, August 31, 2013
A walk in the woods
These photos were taken in the woods at the end of the village that I grew up in, in Somerset. They're a very special place; I used to walk almost everyday in the wood with my parents and the dog (not the dog in the photo - he's far too young!) For my degree dissertation, I wrote a collection of poetry about the wood, and I just wanted to share some of its secrets on here too.
This handsome canine is my parents' dog, Gussie. He's a nine-year-old lurcher-collie cross, but he still acts like a puppy, and he's really clumsy. He's also the most good-natured dog I've ever met. And he can't do the same thing with both ears - one sticks up and one falls to the side, all the time.
This round stone structure covered in moss and ivy through the trees here is called a Buddle House. I believe it used to be used in the production of lime from limestone, but I'm not exactly sure how or when this was. When I was younger it always felt really dangerous walking around the top because it was stony and uneven and it felt like a long way to fall. The doorway was never a problem for us when I was a child, but now I realise how small it is - I have to duck and I'm only 5'3".
There's something sad about seeing these branches piled on the floor and still green, but actually there's been a lot of felling and clearing in the last year or two and you can see the benefit of it. New plants are starting to grow where the trees would have shaded them too much from the sun, and the trees that are left have space to grow and flourish.
Song of the day: 'It Could Be Sweet' - Portishead
This handsome canine is my parents' dog, Gussie. He's a nine-year-old lurcher-collie cross, but he still acts like a puppy, and he's really clumsy. He's also the most good-natured dog I've ever met. And he can't do the same thing with both ears - one sticks up and one falls to the side, all the time.
This round stone structure covered in moss and ivy through the trees here is called a Buddle House. I believe it used to be used in the production of lime from limestone, but I'm not exactly sure how or when this was. When I was younger it always felt really dangerous walking around the top because it was stony and uneven and it felt like a long way to fall. The doorway was never a problem for us when I was a child, but now I realise how small it is - I have to duck and I'm only 5'3".
There's something sad about seeing these branches piled on the floor and still green, but actually there's been a lot of felling and clearing in the last year or two and you can see the benefit of it. New plants are starting to grow where the trees would have shaded them too much from the sun, and the trees that are left have space to grow and flourish.
Song of the day: 'It Could Be Sweet' - Portishead
Wednesday, August 28, 2013
Instant map art
A little while ago, when I was sorting through all my things before moving out of my university house, I came across an Ordnance Survey map of Truro and the surrounding area (I went to uni in Falmouth, about 20 minutes from Truro). I seem to remember my Dad bought it hoping to come and visit me and do a lot of long coastal walks. We never got around to that, but I didn't want to throw the map away, so I kept it. I love maps (although I cannot for the life of me actually use one - it is a big failing of mine, this inability to navigate), and on my degree course we talked a lot about mapping, and how writers attempt to map places with words. Jorge Luis Borges wrote a very short story about a place where the people's desire for exactitude in mapping meant that only a map with the scale 1 mile : 1 mile would suffice. It's kind of a joke (and also, having just Googled it, has some deeper Postmodernist meaning that obviously passed me by) but it does raise questions about what cartographers emphasise and leave out. Old mapmakers used to literally make more important places bigger, and little-explored places became just vague outlines. Plus, I love that another name for the Key of a map is a Legend. I think it's a nice link back to human history and the oral tradition of storytelling.
Anyway, I decided to cut my map up and frame the area of Falmouth, including the road where I lived for three years, and put it up in my new house as a little reminder of my time there. I had an old frame, so I just cut the map down, positioned it how I wanted it and folded the edges so it fitted snugly in the frame. Then I strengthened it with a piece of cardboard at the back and attached a piece of wire so that it could be hung up.
And voilà! An easy way of turning a map into a piece of artwork, and making use of it at the same time. I don't like pictures behind glass because the reflections get in the way for me, so I just left this open. I also like the textures from where the map is supposed to be folded.
Song of the day: 'Suddenly I See' - KT Tunstall
Anyway, I decided to cut my map up and frame the area of Falmouth, including the road where I lived for three years, and put it up in my new house as a little reminder of my time there. I had an old frame, so I just cut the map down, positioned it how I wanted it and folded the edges so it fitted snugly in the frame. Then I strengthened it with a piece of cardboard at the back and attached a piece of wire so that it could be hung up.
And voilà! An easy way of turning a map into a piece of artwork, and making use of it at the same time. I don't like pictures behind glass because the reflections get in the way for me, so I just left this open. I also like the textures from where the map is supposed to be folded.
Song of the day: 'Suddenly I See' - KT Tunstall
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